Tokujin Yoshioka’s Prism Chair

Tokujin Yoshioka’s Prism Chair

Designer Tokujin Yoshioka takes the notion of negative space to the extreme with the ethereal, well-nigh invisible, Prism Chair for Glas Italia.
Tokujin Yoshioka two Prism Chairs on white background one front view one side view
First shown at Milan in 2014, Prism is sublimely simple. Seven sheets of thick, highly transparent pieces of glass come together to make the most elemental form of a chair.
Tokujin Yoshioka Prism Chair side detail
However, the transparency that is the Prism Chair’s calling card is undercut—and enhanced—via the chamfered edges of the individual glass sheets.
Tokujin Yoshioka Prism Chair detail seat
Therein lies the prismatic phenomena, as the beveled edges reflect and refract the light into the visible spectrum we know as a rainbow. It’s a beautiful effect—testament to Yoshioka’s assertion that Prism is “a chair like a shimmering sculpture… miraculous expression is brought by the refraction of light.”
Tokujin Yoshioka Prism Sofa front view white background
Prism’s companion pieces include the Prism Sofa and Prism Table.
Tokujin Yoshioka Prism Table
Read more at Glas Italia and Tokujin Yoshioka.

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