We already know Italian lighting manufacturer Artemide was founded by Ernesto Gismondi (author of perennial suspension lamp favorite Miconos), and that the company is known for collaborations with such luminaries as Zaha Hadid and Ross Lovegrove, but do we really know the magic formula behind iconic pieces like Eclisse and Mercury? Perhaps certain Algorithms might give us a clue. Defined in the most basic sense as "a set of rules for solving a problem in a finite number of steps," the term is useful for A&D in creating conceptual approaches to the usual quandaries. Like "how to interpret the three dimensions of space through light." The quote is from Artemide and Carlotta de Bevilacqua, designer of the new Architectural Algoritmo modular lighting system.

Algoritmo. Designed by Artemide and Carlotta de Bevilacqua for Artemide.

Prior to today, I'd never thought much about Algorithms, but in looking at de Bevilacqua's new concept, I could see how one might want to bring math to bear. I'm a bit of a math-phobe myself, however, so I'll dispense with the technalese and try to get down to brass tacks: Algoritmo is a space and illumination solution that aspires towards minimizing the typical spatial obstructions of light delivery. Artemide characterizes this objective as "full integration with architecture: three small-sized construction matrices summarize the overall concept of light performance in the same direction: diffused light, direct and indirect, operational, dynamic, wall washer, signal, and spotlight."

The system employs recessed, surface-mounted, and suspension lights for a three-pronged attack against darkened corners and glaring walls. Each component is primed for maximum functionality and versatility, and the options for each are enough to send a Libra like myself into a stupor of indecision: LED RGB diffused; Power LED diffused; fluorescent tubes with opaline or translucent diffusers or Artemide's dark light louvre; pad spotlights for direct accent lighting; and quick-connect electric for adjustments or changes.

The end result of such variability and function is, oddly, an obfuscation. At least, that is, in regards to the habitual accoutrements. Algoritmo gives you more light, more options, and more control, while actually minimizing the visual presence of the delivery systems. In Artemide's terms, it all makes for a "formal silence, where matter is just the backstage of light."