Having just spent a week lying on the floor-being unable to sit due to a back injury-the importance of ergonomic design is certainly not lost on me. And who was the culprit of this injury? My chair (the one I work in). Truthfully, painting the ceiling didn’t help matters, but that’s another story.

Pop 40. Manufactured by IKER.

Hence, now that I can sit for brief periods and work, my posts have been increasingly focused on said ergonomics. And Polish company IKER shares this preoccupation. Their Pop System embodies proper body alignment while using light materials and modern forms. In particular, the Pop 40 (not to be confused with Top 40, though perhaps equal in popularity) is a great example of IKER’s body-conscious proportions. At 31.5″W x 31.5″D x 29.5″H, the Pop 40 is comfortable and functional-and it swivels. As far as I’m concerned, there is nothing quite like a swivel chair. It’s the perfect chair for people with small spaces and for those with great rooms; it’s also the perfect chair for indecisive people and for people with a penchant for rearranging furniture (my own mother suffered from this propensity, perhaps leading to my obsession with interiors).

The metal frame features a rotating base (the locus of the swivel) on four legs from which the chair itself seems to rise in a subtle undulation-it reminds me of a calla lily, but I may have seen too many Mapplethorpes. The top of Pop 40 rises to hug the head, therefore keeping the neck in good alignment. Since Pop 40 can be upholstered in leather, Alcantara, or premium fabrics, it can go from office to living room, satisfying everyone. Alcantara, by the way, is the original composite fabric invented by the Japanese scientist Miyoshi Okamoto in the 1970s (not to be confused with the regular ultrasuede). As I see it, the Pop 40 might be the new Director’s Chair-the high back lending an air of authority. I’m hoping the use of the Pop 40 will birth the next Kubrick. IKER claims that design “comments on cultural events.” I think the Pop 40 is commenting on the dearth of good films nowadays, waiting to be inhabited by the next great mind.